Archive for February, 2010

Gaslight: March in Media History

Saturday, February 27th, 2010

March 10, 1949: Mildred Gillars, aka “Axis Sally,” American broadcaster for Radio Berlin during WWII, is convicted of treason. Born in Portland, Oregon, Gillars pursued an acting career in New York City, and although she did get work, she didn’t realize the success of her dreams. In 1935 she moved to Germany to teach English, but eventually was hired by Radio Berlin as a broadcaster, which gave her a chance to flex her acting muscles. She referred to herself as “Midge on the mic” but was dubbed “Axis Sally” by the American allied forces who listened to her broadcasts. Her radio program was called “Home Sweet Home” and typically tried to weaken the morale of US soldiers with suggestions that their girlfriends and wives back home were being unfaithful. However, her most famous broadcast was “Vision of Invasion,” a play about a woman who dreamed her son had been killed at sea crossing the English Channel, complete with exceedingly graphic sound effects of the exploding ship. To boot, it was aired just one month before the D-Day invasion. When she was being prosecuted for treason, it was largely this broadcast which was used as evidence of her crime (though her oath swearing allegiance to Germany didn’t help her either). Finally, on March 10, her heavily covered, soap-opera trial which also detailed her romance with German serviceman Max Otto Koischwitz, ended with a sentence of 10-30 years in prison and a $10,000 fine. She served 12 years and became a kindergarten music teacher when released.

March 25, 1954: RCA begins production of color television sets. Retailing for $1,000 each, the sets came after an intense war in the 1940s between RCA and CBS about development of the color field sequential system which was to be used as the broadcasting standard, and the system’s compatibility with existing black and white television sets. Also complicating matters was the ban on color television sets was the ban on color set production which began in 1951 with the Korean War–the need to allocate funds to the war put a halt on the development of color receivers. But, RCA eventually had its day, and we’ve never watched TV the same way since.

Jack Paar

March 29, 1962: Jack Paar hosts “The Tonight Show” for the last time. After five years of hosting and ultimately creating the late-night talk-show format still used today, Paar left because he wanted to spend more time with his family and escape the press with its ruthless coverage of his internal quarrels with NBC executives and other stars in entertainment. He was replaced by Johnny Carson, who remained the show’s host until May 22, 1992.

Breaking news: Ads on Twitter!

Friday, February 26th, 2010

Speaking on a panel with the IAB Annual Leadership Conference on Monday, Twitter’s head of product management Anametra Banerji announced that the company is in the test phase of an advertising platform which will be released in about a month. Cue the theme from Jaws—ads are coming to Twitter!

Except, they’ve been there for a long time by now. Not only can any user tweet to their heart’s content about the wonder of a product, but there are a number of services like Twittertise, AdCause, TwittAd, SponsoredTweets, reTweet.it and BeTweeted which exist to promote the practice of being paid to tweet. There are already a lot of ads of Twitter that many people don’t even realize are ads; back in December, fans of Kim Kardashian were shocked to learn that her odes to things like Reebok EasyTones were less than genuine. She gets paid by ad.ly up to $10,000 to tweet about certain products, as do other celebrities like Soulja Boy, Dr. Drew and Lauren Conrad.

With no further details released by the company, all the announcement really means is that soon there will be something created internally by Twitter which will enable advertising. It is unclear what exactly the platform will do or how it will function, but (as reported by MediaPost) Banerji did say that Twitter will make it “explicitly clear that a sponsor” paid for the ad, which will be “relevant and useful, so the doesn’t think of it as an ad.” What? How can an ad be both explicit about the fact that it is an ad, and yet not be thought of as an ad? This sounds like more of the incognito advertising happening every day, unbeknownst to most people on Twitter. (Never mind that Banerji also said, “Innovate very, very quickly, before someone innovates on top of you.” Really, who hasn’t been innovating on top of Twitter?) The company does need to monetize, but they may have missed the boat on doing it with ads.

With ever more ad platforms being built, consumers seem to have never considered that a celebrity might be paid for an endorsement, and even television channels are being created as a result of advertising demand, it is clear that more attention needs to be paid to media literacy. Advertising is not going away, and it is not inherently a bad thing, but it is important for people to know when they are being coaxed into buying something.

–Emily Long

Harriton High School: Now what?

Monday, February 22nd, 2010

Harriton High

Harriton High School

Late last week, a story broke from Pennsylvania that Harriton High School had been using the webcams on school-issued laptops to spy on students; school officials have said that this was done so that the laptops could be recovered in the case that they were stolen or lost (even though students report being approached by school administrators about questionable behavior). This is a big deal for many reasons–invasion of privacy, failure to notify parents of the practice, and the fact that the laptops were issued by a public school with government funding. However, the thing that has me worried is the cue for hysteria. At The LAMP we talk to lots of parents about their fears of their children going online; a few frightening and major news stories are all that is needed for many people to be convinced that the Internet is an inherently dangerous place. I’ve talked to more than a handful of parents who say they don’t allow their kids online at all, because it just isn’t safe. When a story like the one from Harriton High is released, I can’t help but think about how–or if–the incident will change the way media is perceived by parents.

One of the worst things about the digital divide is the potential for fear in the absence of knowledge. People who are not media literate fail to understand the boundaries of new media, and are not in a position to get to the truth usually because they are either intimidated or prohibited by economical constraints. So, “Internet safety” may mean nothing at all, or it might mean installing spyware on the family computer to track activity. Unfortunately, it does not always translate to honest and open communication, or parent and child sharing the Internet together. This perpetuates a culture of fear, easily set off by overwrought headlines to stories which are largely the exception and not the rule to managing an online presence.

Stories like what happened at Harriton High School can be the sort of thing that keep parents from letting their kids go online, and worse, it can give a bad name to any program where students are issued laptops by their school. If I were a parent who heard about what happened, I too would wonder about whether my child’s school had told me the whole truth about what was on the device. Programs where children are automatically given laptops are still fairly rare, especially in the world of public schools, and they can vary greatly, but the Harriton High story raises some valid points. What are the student’s rights to privacy on their laptops? What kind of tracking software should be reasonably permitted on laptops lent out by a school? And, if the laptop should be stolen or lost, who is responsible for replacing it? I realize that the situation is much more complex than this, but at its most basic I parallel the laptop program to the programs which allowed me and my schoolmates to rent or borrow instruments for music class or band. I knew perfectly well that if my clarinet was damaged or lost while it was in my possession, my parents would have to pay for it, and I would be in big trouble. Shouldn’t it be the same way for laptops? A student reports it missing, the school remotely wipes the laptop clean of any data and personal information, and the student is stuck with the bill. No need for webcam spying.

Perhaps the school was overreacting in terms of the lengths it was willing to go to ensure that school property could be recovered. Perhaps the terms of laptop-issue programs should be more closely monitored by the state or school district. What happened at Harriton High is upsetting, but don’t blame the laptop.

PS–Be sure to check out The LAMP’s revised “Beginner’s Guide to Going Online,” available for free download.

–Emily Long

Is broadband Internet access a public utility?

Thursday, February 18th, 2010

water faucet

Is not having broadband like not having water?

Broadband Internet access in this country is a problem, and as many of you probably know, the FCC is currently drafting a plan to change that. In findings released yesterday by the Department of Commerce, 40% of Americans do not have broadband access, and 38.9% of people who don’t have Internet access at home cite high costs as the reason. The federal government has taken on the task of increasing broadband access in part because it expects that increased access will improve the economy, as well as provide more opportunities for health care and education–all of which are cornerstones of the Obama Administration’s agenda for change. As I watch the development of the broadband debate, one question springs to mind: Has broadband access to the Internet become a public utility?

A public utility can be defined as “a business that furnishes an everyday necessity to the public at large.”  Gas, electricity and water are all considered public utilities, as is telephone service. In strictly legal terms, there is also a regulatory component in the public utility definition, but here I am concerned with the “everyday necessity” portion. One of my college professors spoke about a problem he was having with his neighbor, who wanted cable television. At the time, the only way the  neighbor could get cable service was by running a cable under my professor’s lawn (at least this is what he was told). When my professor arrived home to find his lawn in ruins, the neighbor claimed that cable television was a public utility, and so he had a right to dig up personal property in order to receive cable TV. My professor disagreed, took the neighbor to court for damaging private property, and the judge determined that cable was not an “everyday necessity.” Thus, the neighbor was denied what he believed was his right to HBO via my professor’s lawn.

I agree with the judge that cable television is not an every day necessity. It is a luxury. However, just as the Internet is a major source of information, so is cable television; the difference, I believe, is interactivity. A lack of cable TV does not make it more difficult for someone to search for a job or apply to school, and I would count both employment and education as necessities. You may be able to learn about general health-related issues on TV, but with so many health care plans and resources now being diverted almost exclusively online, it will soon be very difficult to manage your personal health needs.

I don’t recall an argument ever being made by the government that people not having cable is an issue for real concern, but this seems to be the case with the Internet. Equally important as having Internet access is learning media literacy; otherwise we’re in a world of trouble. One thing I frequently hear is that people already know how to use the Internet, so what can media literacy do for them? My response is usually something along the lines of, “They may know how to put the key in the ignition, but that doesn’t mean they should be on the road.” It’s easy for those of us living in a big city like New York to assume that everyone has access to the Internet, and everyone knows what they’re doing. After all, you can’t get on a subway here without seeing smartphones, mp3 players and handheld video games. But the truth is that not everyone has access, whether you’re talking about New York City or the entire United States, and this is a problem because the Internet is quickly becoming essential to daily life. It may have been ridiculous to say this ten years ago, but I do believe broadband Internet access is a public utility; as websites continue to get more sophisticated, low-speed access is less and less useful . My hope is that, together with building the infrastructure to strengthen this utility, adequate attention is paid to the media literacy education which must accompany this growth.

–Emily Long

News from The LAMP! Our February Illuminations Newsletter

Tuesday, February 16th, 2010

The LAMP Illuminations
February 2010
In This Issue
Spotlight: Chesley Andrews, The LAMP’s Web Designer
Highlight: “Digital Nation” Reviewed
Gaslight: February in Media History

News from The LAMP!
LAMPcampThe LAMP is all set for its spring programs with Rooftop Filmsand Brooklyn Technical High School, as well as PS 107 and other pilot workshops. We’ve also been working on our library of free LAMPlit resource guides, as we’ve put out a revised version of Beginner’s Guide to Going Online and recently published Check Out the News!, our guide to basic news literacy. Visit our Resources page to download both of them for free today!

And, it’s the perfect time to schedule LAMPcamp–The LAMP’s media literacy summer intensive launched last summer for teens. Check out our LAMPcamp videos, and email us or call 718-789-8170 for more information!

Spotlight: Chesley Andrews, The LAMP’s Web Designer
ChesleyThis month, we interviewed Chesley Andrews, web designer for The LAMP. Last summer she took on the daunting task of overhauling our website, and launched her own studio,Dossier. We talked to her about her inspiration, how she approaches her projects and the business of web design.Click here for the interview!

Highlight: “Digital Nation” Reviewed

Digital NationOn February 2nd, PBS Frontlinepremiered “Digital Nation,” the follow-up to writer/producer Rachel Dretzin’s “Growing Up Online” (Douglas Rushkoff also shares writer/producer credit here). Emily Long, The LAMP’s Communications Director, wrote about the documentary on The LAMPpost, plus her “compelling review” caught the eye of HASTAC. DId you watch “Digital Nation”? Tell us your thoughts on The LAMPpost!

To help us continue our services as New York City’s only nonprofit organization giving free media literacy workshops to parents, youth and educators, please consider a small tax-deductible donation. Your donation goes to work immediately supporting workshop equipment, supplies, and administrative and facilitator fees.

Join Our Mailing List

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Vote for The LAMP on Change.org!

As part of Change.org’s Ideas for Change in Americacontest, The LAMP has proposed an increase funding for media literacy programming which would support our work in New York City and lead the way for similar funding in other cities.Vote for The LAMP, and help us make it to the final round for meaningful media literacy funding. Vote now!
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Gaslight:
February
in Media History

In honor of Black History Month, The LAMP dedicatesFebruary’s Gaslight to African American pioneers in journalism.
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Connect with The LAMP on:

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Spotlight: Chesley Andrews, The LAMP’s Web Designer

Monday, February 8th, 2010

Chesley Andrews

Chesley Andrews (photo by Spiffae)

This month, we interviewed our web designer Chesley Andrews, who took on the daunting task last summer of overhauling thelampnyc.org. She runs her own studio, Dossier, and happens to be looking for a few good interns–email her at chesley@dossierstudio.com for more information and to learn more about her work.

How did you get interested in design? Growing up I was always artistically inclined (lots of painting, collage, and drawing) as well as an avid reader. I was also super into my mom’s computer and would spend hours on KidPix, Microsoft Paint, and even Mario Paint (my one Nintendo game). It wasn’t until I met a graphic designer in college, that I realized there was such a profession and it that combined my love of art, typography, and computers. Everything fell into place after that.

What inspired you to start your own studio? Well, I spent a year or so working for James Ellis of Studio IV/Athletics. Athletics is a design collective in Brooklyn, made up of about 7 guys who all have their own studios but share studio space and collaborate on projects. They encouraged and helped me to eventually create my own studio, but it was always something I wanted to do, it just ended up happening a lot sooner than I expected! What I love about working for myself is that I get to work with so many different types of clients/businesses/styles, there’s always something to learn. Setting my own hours ain’t half bad either.

When a client approaches you for a project, where/how do you start? First I try to get a feel for who the client’s target audience is, and think about what would be the best way to communicate to them. This involves thinking about colors, typefaces, layouts, patterns, and weighing different web technologies. There’s always a lot to learn from the client since they know their industry and audience so well. I always ask them to send me examples (usually links and screenshots) of different “looks and feels” that they like, as well as examples of what their competitors are up to.

What changes have you seen in the web and print design industry since you started working? Well the web design industry is always changing, the languages that the web is built on are constantly evolving, so as a developer, you really have to be disciplined about learning and teaching yourself. Thankfully there’s a general culture of openness and sharing on the web, so there’s always a free tutorial, design element, or piece of advice to be found.

Who are some other artists or designers you’re interested in right now? Nathaniel Kerksick of culturegraphic.com has a beautiful design sense, but what I really appreciate about his work is how he continually strives to create ultra-friendly and intuitive user interfaces that push the type of communication you thought was possible on the web. The best part is that he works with really good-cause clients like: Green Reportcard, Transportation For America, and the Obama Campaign.

Jonathan Harris of www.number27.org is another amazing designer/developer working more in the art/anthropology world harnessing technology to tell stories. His work is unreal.

“Digital Nation” Reviewed

Wednesday, February 3rd, 2010

It is unfortunate for the producers of PBS Frontline’s “Digital Nation” that the Kaiser Family Foundation’s landmark survey results were released last week. I say this largely because “Digital Nation,” a 90-minute documentary on digital media use in the United States which premiered last night, did not provide much in the way of new information. My main takeaway was that young people use a lot of media, but this is something I already knew (and I would venture a guess the typical PBS viewer knew it too). The KFF results support much of what I and many others have believed for a long time, but perform the additional service of indicating through metrics just how wide the digital divide can be, and how much that divide has grown within the last five years. As “Digital Nation” presented interviews with MIT students, scholars and die-hard World of Warcraft and Second Life players talking about heavy media use, I couldn’t help thinking that this was all redundant. I get it; people are wired all the time. But what does it mean?

When I learned that that PBS Frontline was making ”Digital Nation,” I expected to see something covering the nation. Instead, we mostly saw New York City, Cambridge, parts of California and South Korea. I understand that South Korea was held up as a foil to media use in the US, perhaps even as a cautionary tale of where we could be heading: Internet Rescue Camps and classrooms of second-graders chanting songs about netiquette. However, there are so many more regions in the US which deserved treatment; I would rather have gotten a look at, for example, the ways that digital media is impacting rural areas rather than spend time on Korea. Other American communities I wish were covered include those which are impoverished, undereducated, underemployed or multinational.

As for what was covered in “Digital Nation,” the film was divided into halves. It began with education and learning, which included the segment on South Korea and also spent time speaking with people studying the cognitive effects of new media on the brain. This is where we learned that young people use an awful lot of media, and in some ways it distracts them from their studies, but in other ways using media may make students more focused. The second half covered gaming, and looked at the online and offline communities created in multiplayer games like World of Warcraft, and also how Second Life can be used to fulfill both personal fantasies and business meeting needs. Following this was a look at gaming and the military, and covered the use of video games as treatment for soldiers with PTSD, but also at the use of predator drones in war zones, a practice which is eerily reminiscent of playing video games.

None of these topics should be left out of an examination of our digital nation, but to cover essentially only learning and gaming leaves out a lot. Working in media literacy, as I do, I was disappointed to not hear media literacy mentioned once. There was also no discussion of how digital media influence our democracy, consumer habits, economy, physical health or interpersonal relationships. Right now, major decisions are being made about broadband access, net neutrality and the limits of free speech on the Internet, but none of that was included either. In all fairness, this is a tall order for a 90-minute documentary, and I do think that “Digital Nation” might have been better served as a series. I admire the work of Rachel Dretzin and Douglas Rushkoff, and I am positive that they could have provided valuable insight on the complexities of a digital culture if they had more time. I agree with Cathy Davidson of HASTAC that this is a transitional documentary, and I wish it were more than that. Still, could have/should have/would have does very little good, so as it is, “Digital Nation” is valuable as a snapshot summary of a thin slice of living in a digital world. You will probably see some things in “Digital Nation” that look familiar, but you will not get a comprehensive look at our digital nation.

–Emily Long

Gaslight: February in Media History

Monday, February 1st, 2010

Milai cartoon

Cartoon by Sam Milai for the Pittsburgh Courier

In honor of Black History Month, The LAMP dedicates February’s Gaslight to African American pioneers in news media.

February 3, 1947: Percival Prattis becomes the first African American news correspondent admitted to the press galleries of both the United States House of Representatives and the Senate. In addition to his work as a journalist, Prattis was a civil rights leader working to advance the African American press. A veteran of World War I, Prattis joined the Pittsburgh Courier in 1935, became editor in 1956 and retired in 1962. He has been noted for his ability to unify black newsmen behind the fight against discrimination of African Americans in the press, particularly in the years around World War II. Prattis’ ability to directly observe Congress allowed him to report on government proceedings with firsthand knowledge of events, and he could apply his unique perspective as an African American veteran and leader of the early movement for civil rights.

February 8, 1944: Before Percival Prattis integrated the Congressional news galleries, Harry S. McAlpin integrated the Washington press corps when he became the first African American admitted to a White House press conference. McAlpin was advised against going to the press conference by Paul Wooten, reporter for the New Orleans Times-Picayune and President of the White House Correspondents Association (WHCA). Wooten informed McAlpin that he was not welcome in the press conference, that he would be given the notes taken by others in attendance for use in his reporting, and was told he could join the WHCA if he agreed to stay out of the press conferences. However, McAlpin attended the conference in the Oval Office anyway, and made a point of stopping by President Theodore Roosevelt’s desk. The President shook his hand and said, “I’m glad to see you McAlpin, and very happy to have you here.”

Malvin R. Goode

Malvin R. Goode

February 13, 1908: This is the birthday of Malvin R. Goode, who became the first African American television news correspondent for ABC in 1962. It happened that the lead ABC correspondent was on vacation during the Cuban Missile Crisis, and Goode was called upon to report in his absence. His 1995 obituary in the New York Times notes that Mal Goode was recommended to the position by his friend Jackie Robinson, and anchor Peter Jennings considered him a mentor. Before going on television, Goode worked at the Pittsburgh Courier while Percival Prattis was there, and continued the fight for civil rights long after his retirement from ABC in 1973.

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